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Season of the Witch

How the Occult Saved Rock and Roll
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( 917 ratings, 134 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Season of the Witch by Peter Bebergal explores the profound influence of the occult on the development of rock and roll and hip-hop music. Tracing threads from Elvis Presley’s Hoodoo-inspired sounds to the mystical journeys of George Harrison, and from Led Zeppelin’s dark themes to Masonic imagery in contemporary hip-hop, the book reveals how esoteric and supernatural traditions shaped the cultural and spiritual heart of popular music. Bebergal examines legendary musicians and cultural figures like The Beatles, David Bowie, Aleister Crowley, and others to uncover how magic, mysticism, and alternative spirituality infused their art, sparking a cultural revolution of political, spiritual, sexual, and social liberation that transformed rock music into more than just entertainment.
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Format: Paperback / softback
$4900

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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for readers fascinated by music history, cultural studies, and the spiritual undercurrents behind popular culture. Fans of rock, hip-hop, and the 1960s counterculture, as well as those interested in the occult’s role in art and society, will find it especially compelling.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

From the Hoodoo-inspired sounds of Elvis Presley to the Eastern odysseys of George Harrison, from the dark dalliances of Led Zeppelin to the Masonic imagery of today's hip-hop scene, the occult has long breathed life into rock and hip hop—and indeed, esoteric and supernatural traditions are the secret ingredient behind the emergence and development of rock and roll.

With intellectual substance, vivid storytelling, and laser-sharp analysis, writer and critic, Peter Bebergal, illuminates this web of influences to produce Season of the Witch, the definitive work on how the occult shaped and saved popular music. As Bebergal explains, occult and mystical ideals gave rock and roll its heart and purpose—making rock into more than just backbeat music, but into a cultural revolution of political, spiritual, sexual, and social liberation.

Bebergal explores how the biggest names in popular music have participated in this spiritual rebellion and in so doing crafted rock's mythic soul. The Beatles, Led Zeppelin, David Bowie, King Crimson, Black Sabbath, Killing Joke, and even The Rolling Stones, among many others, not only transformed rock with their musical innovations but saved rock from becoming a series of radio-friendly 45s spinning out endless redundant chords. Their stories serve as a window that exposes how, without the occult imagination, there would be no rock as we know it.

Season of the Witch also investigates the figures whose lives intersect, both directly and indirectly, with the culture of rock: the fin-de-siècle magician, Aleister Crowley, who would become a counterculture icon; the symbolist artist, Austin Osmond Spare, whose sigil magic would influence an entire subculture of British musicians in the 1980s and 1990s; the pulp horror writer, H.P. Lovecraft; the nightmarish serial killer, Charles Manson; and the underground filmmaker and Crowley devotee, Kenneth Anger.

While occult influences appeared at rock's inception, the true alchemical marriage didn't happen overnight, but rather built slowly towards its own peak when the planets aligned in the 1960s and sexual liberation, anti-war protests, and other social movements collided. In this climate, musicians and fans alike would blow their music and their minds with LSD, opening up a cultural third eye that exposed them to alternative religious and occult practice. It was a shot heard round the world in song, such as the cosmic "I AM" spirituality of The Beatles' "Tomorrow Never Knows," one of the first great mystical moments in popular music.

From then on, at every turn, musicians pushed at the edges and would eventually give rock its truly defining sound and mythology. All the essential rock genres, from heavy metal to progressive, from glam to punk, gathered their wool from the occult's harvest. These are just a few of the extraordinary figures who readers meet in this feast of storytelling and cultural illumination.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Peter Bebergal's Season of the Witch has been praised for its engrossing analysis and vibrant storytelling. Michael Moorcock lauds it as an "absorbing read deserving an important place in rock literature." NPR highlights its balance between scholarly insight and passionate narrative. Library Journal awarded a starred review, calling it a "sharply written narrative illuminating the centrality of the occult imagination at the heart of rock and roll." WBUR/NPR’s Andrea Shea describes it as a "thoroughly researched, absorbing, entertaining ride."

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Book Details

INFORMATION

ISBN: 9780399174964

Publisher: Tarcher/Putnam,US

Format: Paperback / softback

Date Published: 13 October 2015

Country: United States

Imprint: Tarcher/Putnam,US

Audience: General / adult

DIMENSIONS

Width: 152.0mm

Height: 229.0mm

Weight: 1g

Pages: 254

About the Author

Peter Bebergal writes widely on the speculative and slightly fringe. His recent essays and reviews have appeared in The Times Literary Supplement, BoingBoing, The Believer and The Quietus. He is the author of Too Much to Dream: A Psychedelic American Boyhood and The Faith between Us (with Scott Korb). Bebergal studied religion and culture at Harvard Divinity School.

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