Ink Paper Chisel Grain
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See moreA fascinating account of the hidden history of the humble woodcut SUNDAY TIMES
Ink Paper Chisel Grain is a dazzling journey through 500 years of art, ideas and human imagination, told through one of the most enduring and versatile artistic mediums ever created.
At its simplest, a woodcut begins with a piece of wood, a cutting tool, ink and paper. Yet from these humble materials, artists have created some of the most powerful images in human history. In Ink Paper Chisel Grain, artist and printmaker Paul Coldwell invites us into intimate encounters with the works and makers who transformed woodcut from a practical technology into a vehicle for beauty, revolution, protest and wonder.
Travelling across centuries and continents, Coldwell guides us from Albrecht DΓΌrerβs apocalyptic visions and Hokusai's Great Wave to KΓ€the Kollwitz's searing anti-war prints and the monumental contemporary works of William Kentridge. Along the way, we meet artists, printers, collectors, curators and craftsmen; step inside museums, archives and studios; and discover how a simple process of cutting into wood helped shape the visual culture of the modern world.
Part history, part travelogue, part meditation on art and making, Ink Paper Chisel Grain reveals how woodcut has survived every technological revolution thrown at it, celebrating the enduring human impulse to leave a mark.
Book Details
INFORMATION
ISBN: 9780241682203
Publisher: Penguin Books Ltd
Format: Hardback
Date Published: 20 August 2026
Country: United Kingdom
Imprint: Michael Joseph Ltd
Audience: General / adult
DIMENSIONS
Spine width: 38.0mm
Width: 165.0mm
Height: 242.0mm
Weight: 702g
Pages: 416
About the Author
Paul Coldwell is an artist, curator, researcher and writer who has worked with and studied woodcuts for more than fifty years. His work has been exhibited in numerous public collections, including the Tate, the V&A, the British Museum, the MusΓ©e d'art et d'histoire (Geneva) and MoMA (New York), and since 2001 he has been a Professor in Fine Art Printmaking at the University of the Arts London. He has been a regular contributor to publications including Art in Print, Printmaking Today and Print Quarterly, and he is the author of several books, including Printmaking: A Contemporary Perspective.
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