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The Book of Marvels

A Medieval Guide to the Globe
Brief Description
This fascinating volume explores an important fifteenth-century illustrated manuscript tradition that provides a revealing glimpse of how western Europeans conceptualised the world. From the classical encyclopaedias of Pliny to famous tales such as The Travels of Marco Polo, historical travel writing has had a lasting impact,... Read More
Format: Hardback
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The Book of Marvels

This fascinating volume explores an important fifteenth-century illustrated manuscript tradition that provides a revealing glimpse of how Western Europeans conceptualized the world.

This fascinating volume explores an important fifteenth-century illustrated manuscript filled with oddities, curiosities, and wonders that provides a revealing glimpse on the way Western Europeans conceptualized the world. The authors delve into the tradition of encyclopedias and travel writing, examining the various sources for geographic knowledge in the Middle Ages.

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This fascinating volume explores an important fifteenth-century illustrated manuscript tradition that provides a revealing glimpse of how western Europeans conceptualised the world.

From the classical encyclopaedias of Pliny to famous tales such as The Travels of Marco Polo, historical travel writing has had a lasting impact, despite the fact that it was based on a curious mixture of truth, legend, and outright superstition. One foundational medieval source that expands on the ancient idea of the "wonders of the world" is the fifteenth-century French Book of the Marvels of the World, an illustrated guide to the globe filled with oddities, curiosities, and wonders—tales of fantasy and reality intended for the medieval armchair traveller. The fifty-six locales featured in the manuscript are presented in a manner that suggests authority and objectivity but are rife with stereotypes and mischaracterisations, meant to simultaneously instil a sense of wonder and fear in readers.

In The Book of Marvels, the authors explore the tradition of encyclopaedias and travel writing, examining the various sources for geographic knowledge in the Middle Ages. They look closely at the manuscript copies of the French text and its complex images, delving into their origins, style, content, and meaning. Ultimately, this volume seeks to unpack how medieval white Christian Europeans saw their world and how the fear of difference—so pervasive in society today—is part of a long tradition stretching back millennia.

This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 11 to September 1, 2024, and at the Morgan Library & Museum from January 24 to May 25, 2025.

Book Details

INFORMATION

ISBN: 9781606069035

Publisher: Getty Trust Publications

Format: Hardback

Date Published: 16 July 2024

Country: United States

Imprint: J. Paul Getty Museum

Illustration: 108 color and 23 black and white illustrations

Audience: General / adult

DIMENSIONS

Width: 254.0mm

Height: 254.0mm

Weight: 0g

Pages: 152

About the Author

Larisa Grollemond is assistant curator of manuscripts at the J. Paul Getty Museum and was coauthor of The Fantasy of the Middle Ages (Getty, 2022) and a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty, 2019). Kelin Michael was the 2021-22 graduate intern in the Department of Manuscripts at the J. Paul Getty Museum. Elizabeth Morrison is senior curator of manuscripts at the J. Paul Getty Museum and is a specialist in Flemish illumination. Joshua O'Driscoll is associate curator of medieval and Renaissance manuscripts at the Morgan Library & Museum.

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