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Adrienne Rich: Poetry and Prose

A Norton Critical Edition
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This comprehensive collection showcases Adrienne Rich’s poetic and prose works, presenting selections that reveal her artistic evolution and impact. It features poems from her acclaimed volumes such as The Dream of a Common Language and An Atlas of the Difficult World, alongside influential prose essays on feminism and identity, including "When We Dead Awaken" and "Compulsory Heterosexuality and Lesbian Existence." The book also includes critical essays and an updated chronology that contextualise Rich’s significant role in twentieth-century American literature.
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Format: Paperback / softback
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Ideal for readers interested in modern poetry, feminist literature, and LGBTQ+ voices, as well as scholars and students of contemporary American arts and culture.

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This Norton Critical Edition brings research into this beloved poet’s body of work completely up to date.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

In both poetry and prose, the editors have chosen selections intended to give readers a clear sense of Rich's evolution and accomplishment. Many of the poems in this expanded collection are from Rich's five recent volumes—The Dream of a Common Language (1978), A Wild Patience Has Taken Me This Far (1981), Your Native Land, Your Life (1986), Time's Power: Poems 1985-1988 (1989), and An Atlas of the Difficult World (1991).

Prose selections include "When We Dead Awaken: Writing as Re-Vision," Rich's canonical statement on feminism; "Compulsory Heterosexuality and Lesbian Existence," on being a lesbian in a heterosexual world; Rich's interview for American Poetry Review, which presents a full and frank discussion of her work; and her previously unpublished commentary on the genesis of the poem "Yom Kippur 1984."

The editors have also taken into account the many essays on Rich and reviews of her work that have been published since 1975. Some earlier biographical selections have been replaced with works that focus on the quality of Rich's writing and her place in twentieth-century American literature—not just as a poet, but as a woman, a lesbian, and a mother.

Criticism includes thirteen reviews and interpretations of Rich's work by W. H. Auden, John Ashbery, Margaret Atwood, Helen Vendler, Judith McDaniel, Adrian Oktenberg, Charles Altieri, and Joanna Feit Diehl, among others. A second recent study by Albert Gelpi traces the events in Rich's life from which her work evolves.

An updated Chronology and Selected Bibliography, as well as an expanded Index, are included.

Series: Norton Critical Editions

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Book Details

INFORMATION

ISBN: 9780393265439

Publisher: WW Norton & Co

Format: Paperback / softback

Date Published: 01 March 2018

Country: United States

Imprint: WW Norton & Co

Edition: Second Edition

Illustration: Illustrations

Contributors:

  • Edited by Albert Gelpi
  • Edited by Barbara Charlesworth Gelpi
  • Edited by Brett Candlish Millier

Audience: Tertiary education

DIMENSIONS

Spine width: 28.0mm

Width: 132.0mm

Height: 213.0mm

Weight: 477g

About the Author

Adrienne Rich (1929–2012) was an award-winning poet, influential essayist, radical feminist, and major public intellectual of the twentieth and twenty-first centuries. She wrote two dozen volumes of poetry, including the National Book Award–winning Diving into the Wreck, and more than a half-dozen of prose. Barbara Charlesworth Gelpi is Professor of English at Stanford University, where she has taught since 1968. She is the author of Shelleyís Goddess: Maternity, Language, Subjectivity and Dark Passages: The Decadent Consciousness in Victorian Literature, as well as numerous articles on, mainly, feminist and psychological literature. She is an editor of several important volumes, including Feminist Theory: A Critique of Ideologies and Women and Poverty. Albert Gelpi is William Robertson Coe Professor of American Literature at Stanford University, where he has also taught since 1968. His books include Emily Dickinson: The Mind of the Poet, The Tenth Muse: The Psyche of the American Poet, and, most recently, A Coherent Splendor: The American Poetic Renaissance, 1910-1950. He is the editor of Wallace Stevens: The Poetics of Modernism and Denise Levertov: Selected Criticism and for a decade edited Cambridge Studies in American Literature and Culture. Brett C. Millier is the Reginald L. Cook Professor of American Literature at Middlebury College. She is the author of Elizabeth Bishop: Life and the Memory of It, and Flawed Light: American Women Poets and Alcohol. She is also associate editor of The Columbia History of American Poetry.

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