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English Medieval Embroidery

Opus Anglicanum
4.66 goodreads logo

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( 29 ratings, 2 reviews)
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
English Medieval Embroidery offers an introduction to the design, production and use of luxury embroideries in medieval England from c. 1200 to 1530. The book explores how these textiles symbolised wealth and power across Europe, known internationally as opus anglicanum. Essays by leading experts delve into the artistic and social context of this craft, highlighting the skilled community of embroiderers, including many named women in London. Comparisons with contemporary painting challenge traditional views on artistic hierarchies, while detailed catalogue entries showcase individual masterpieces and their exquisite craftsmanship.
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Format: Paperback / softback
$6599
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This book is ideal for readers with interests in arts and culture, especially those fascinated by medieval history, textile art, and embroidery. It suits both scholars and enthusiasts looking to deepen their understanding of medieval English craftsmanship and its social significance.

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An introduction to the design, production and use of luxury embroideries in medieval England (c. 1200–1530).

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

An introduction to the design, production and use of luxury embroideries in medieval England (c. 1200–1530)

In medieval Europe, embroidered textiles were indispensable symbols of wealth and power. Owing to their quality, complexity and magnificence, English embroideries enjoyed international demand and can be traced in Continental sources as opus anglicanum (English work).

Essays by leading experts explore the embroideries’ artistic and social context, while catalogue entries examine individual masterpieces. Medieval embroiderers lived in a tightly knit community in London, and many were women who can be identified by name. Comparisons between their work and contemporary painting challenge modern assumptions about the hierarchy of artistic media.

Contributors consider an outstanding range of examples, highlighting their craftsmanship and exploring the world in which they were created.

Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?

Praised for its superb, razor-sharp reproductions that capture the beauty and power of the medium, reviews highlight the book's intellectual value and rich array of over 160 full-colour illustrations. It is described as a visual feast bursting with fascinating historical information, making it essential for those interested in Opus Anglicanum or medieval English Catholic culture. The production quality is lauded as exquisitely crafted, filling a notable gap in literature on English embroidery.

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Book Details

INFORMATION

ISBN: 9780300259988

Publisher: Yale University Press

Format: Paperback / softback

Date Published: 24 August 2021

Country: United States

Imprint: Yale University Press

Illustration: 160 color + 100 b-w illus.

Contributors:

  • Edited by Glyn Davies
  • Edited by Clare Browne
  • Edited by M. A. Michael
  • Contributions by Michaela Zoschg
  • Edited by Glyn Davies
  • Edited by Glyn Davies

Audience: Professional and scholarly

DIMENSIONS

Width: 229.0mm

Height: 279.0mm

Weight: 250g

Pages: 324

About the Author

Clare Browne is an independent scholar, formerly curator of textiles at the Victoria and Albert Museum. Glyn Davies is head of curatorial at the Museum of London, previously curator of medieval art at the Victoria and Albert Museum. M. A. Michael is professorial fellow in the School of Culture and Creative Arts at the University of Glasgow. Michaela Zoschg is curator of medieval art at the Victoria and Albert Museum.

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