King Edward III
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King Edward III
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
King Edward III is increasingly thought to have been written in significant part by Shakespeare. This landmark new edition by textual expert and General Editor of the Arden Shakespeare, Richard Proudfoot, offers a full account of the play's text and the evidence of Shakespeare's hand at work in it.
Fully annotated with on-page notes and a lengthy critical introduction which also explores the play's production history and the impact of its historical context.
Series: The Arden Shakespeare Third Series
View allBook Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Richard Proudfoot, a leading textual expert, provides an indispensable edition enriched with detailed annotations and a comprehensive introduction. Reviews acclaim the work for thoroughly demonstrating Shakespeare's hand in the play, highlighting thematic and structural links with established Shakespearean works such as Richard II and Henry V. The edition secures Edward III's place in the Shakespearean canon as an intriguing yet uneven drama.
Book Details
INFORMATION
ISBN: 9781903436387
Publisher: Bloomsbury Publishing PLC
Format: Paperback / softback
Date Published: 24 August 2017
Country: United Kingdom
Imprint: The Arden Shakespeare
Illustration: 15 bw illus
Contributors:
- Edited by Richard Proudfoot
- Edited by Nicola Bennett
Audience: Tertiary education, Professional and scholarly
DIMENSIONS
Spine width: 26.0mm
Width: 128.0mm
Height: 198.0mm
Weight: 500g
Pages: 464
About the Author
Richard Proudfoot served as Senior General Editor of the Arden Shakespeare for 35 years, until his retirement from King's in 1999. In 2001 The Arden Shakespeare published Proudfoot's Shakespeare: Text, Stage and Canon a critical overview of the scholarly achievements made in the field of Shakespeare studies by the end of the twentieth century.
Having graduated from King's College, London, Nicola Bennett went on to train at the Webster Douglas Academy of Dramatic Art, after which she worked for several years in the theatre. She now works in publishing, primarily as a freelance copy-editor. Her publications include the Globe quarto edition of The Merry Devil of Edmonton (2000).
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