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The Decay of Lying

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Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
The Decay of Lying by Oscar Wilde is an essay exploring the relationship between art and life, proposing that art should prioritise imagination and creativity over realism. Through a witty dialogue, Wilde argues that art is at its best when it detaches from truth and reality, challenging the prevailing trends of his time. This philosophical piece provocatively questions the role of truth in art, advocating for a more imaginative and less literal approach.
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Format: Paperback / softback
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

You might enjoy this book if you appreciate a witty and satirical exploration of the relationship between art and nature. Wilde's dialogue challenges conventional truths and advocates for the beauty of imagination over mundane reality, making it perfect for those intrigued by philosophical musings and clever conversation.

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The Decay of Lying

The decay of lying and The critic as artist first published in Intentions by Methuen and Co. 1891.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Life imitates Art far more than Art imitates Life

The Decay of Lying includes two of Wilde's most comprehensive—and witty—explorations of his aesthetic philosophy: The Decay of Lying and The Critic as Artist.

GREAT IDEAS. Throughout history, some books have changed the world. They have transformed the way we see ourselves—and each other. They have inspired debate, dissent, war, and revolution. They have enlightened, outraged, provoked, and comforted. They have enriched lives—and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals, and visionaries whose ideas shook civilisation and helped make us who we are.

Series: Penguin Great Ideas

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Book Details

INFORMATION

ISBN: 9780241472453

Publisher: Penguin Books Ltd

Format: Paperback / softback

Date Published: 24 September 2020

Country: United Kingdom

Imprint: Penguin Classics

Audience: General / adult, Tertiary education, Professional and scholarly

DIMENSIONS

Spine width: 10.0mm

Width: 110.0mm

Height: 175.0mm

Weight: 89g

Pages: 144

About the Author

Oscar Fingal O'Flahertie Wills Wilde was born in Dublin in 1854. He went to Trinity College, Dublin and then to Magdalen College, Oxford, where he began to propagandize the new Aesthetic (or 'Art for Art's Sake') Movement. Despite winning a first and the Newdigate Prize for Poetry, Wilde failed to obtain an Oxford scholarship, and was forced to earn a living by lecturing and writing for periodicals. After his marriage to Constance Lloyd in 1884, he tried to establish himself as a writer, but with little initial success. However, his three volumes of short fiction, The Happy Prince (1888), Lord Arthur Savile's Crime (1891) and A House of Pomegranates (1891), together with his only novel, The Picture of Dorian Gray (1891), gradually won him a reputation as a modern writer with an original talent, a reputation confirmed and enhanced by the phenomenal success of his Society Comedies - Lady Windermere's Fan, A Woman of No Importance, An Ideal Husband and The Importance of Being Earnest, all performed on the West End stage between 1892 and 1895. Success, however, was short-lived. In 1891 Wilde had met and fallen extravagantly in love with Lord Alfred Douglas. In 1895, when his success as a dramatist was at its height, Wilde brought an unsuccessful libel action against Douglas's father, the Marquess of Queensberry. Wilde lost the case and two trials later was sentenced to two years' imprisonment for acts of gross indecency. As a result of this experience he wrote The Ballad of Reading Gaol. He was released from prison in 1897 and went into an immediate self-imposed exile on the Continent. He died in Paris in ignominy in 1900.

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