Visual Thinking
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Visual Thinking
Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
Visual Thinking
Visual Thinking has been the gold standard for art educators, psychologists, and general readers alike. This title states that all thinking (not just thinking related to art) is basically perceptual in nature, and that the ancient dichotomy between seeing and thinking, between perceiving and reasoning, is false and misleading.
For thirty-five years, Visual Thinking has been the gold standard for art educators, psychologists, and general readers alike. In this seminal work, Arnheim, author of The Dynamics of Architectural Form, Film as Art, Toward a Psychology of Art, and Art and Visual Perception, asserts that all thinking (not just thinking related to art) is basically perceptual in nature, and that the ancient dichotomy between seeing and thinking, between perceiving and reasoning, is false and misleading.
An indispensable tool for students and for those interested in the arts.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Visual Thinking by Rudolf Arnheim is widely regarded as a pivotal work exploring the relationship between perception and cognition, asserting that visual perception is a form of active thinking. Reviewers often praise its insightful discourse on how visual processes are integral to human understanding and creativity. Critics appreciate the blend of psychology and philosophy, noting how it challenges traditional views by suggesting that visual reasoning is as legitimate as verbal reasoning in human thought.
Book Details
INFORMATION
ISBN: 9780520242265
Publisher: University of California Press
Format: Paperback / softback
Date Published: 16 April 2004
Country: United States
Imprint: University of California Press
Edition: 2nd edition
Illustration: 2 color illustrations, 12 b-w photographs, 68 line illustrations
Audience: General / adult
DIMENSIONS
Spine width: 20.0mm
Width: 152.0mm
Height: 229.0mm
Weight: 499g
Pages: 360
About the Author
Rudolf Arnheim is Professor Emeritus of the Psychology of Art at Harvard University. His books include Film as Art (California, 1957), Art and Visual Perception: A Psychology of the Creative Eye (California, 1974), The Dynamics of Architectural Form (California, 1977), and The Split and the Structure: Twenty-eight Essays (California, 1996).
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