Reparative Aesthetics
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Reparative Aesthetics
By offering a new way of thinking about the role of politically engaged art, Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere, who, against the dominant modes of criticality in political art, look at how cultural production can be reparative.
The winner of the Art Association of Australia and New Zealand best book award in 2017, Reparative Aesthetics contributes an entirely new theory to the interdisciplinary fields of aesthetics, affect studies, feminist theory, politics, and photography. Conceptually innovative and fiercely original, this book will move us beyond old political and cultural stalemates and into new terrain for analysis and reflection.
Book Hero Magic summarised reviews for this book. While it's new and still learning, it may not be perfect - your feedback is welcome! HOW HAS THIS BEEN REVIEWED?
Reparative Aesthetics by Susan Best is praised for its insightful exploration of how art by women photographers from the global south can address and heal societal and personal shame. The book weaves art with psychoanalysis and debates on trauma and repair, offering a fresh perspective on the complexities of history through photographic art. Critics commend Bestβs eloquent approach and her ability to connect affect theories and psychoanalysis, enhancing understanding of difficult national histories and affirming her as a skilled analyst in the fields of affect, art, and politics.
Book Details
INFORMATION
ISBN: 9781472529862
Publisher: Bloomsbury Publishing PLC
Format: Paperback / softback
Date Published: 20 October 2016
Country: United Kingdom
Imprint: Bloomsbury Academic
Illustration: 52 bw illus
Audience: Tertiary education, Professional and scholarly
DIMENSIONS
Spine width: 12.0mm
Width: 156.0mm
Height: 232.0mm
Weight: 400g
Pages: 232
About the Author
Susan Best is Professor of Fine Art and Art Theory at Queensland College of Art, Griffith University, Australia. Recent publications include Visualizing Feeling: Affect and the Feminine Avant-garde (2011) which won the Art Association of Australia and New Zealand best book award in 2012.
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