{"product_id":"it-used-to-be-witches-by-ryan-gilbey-9780571381524","title":"It Used to be Witches","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003ePlayfully blending personal memoir, criticism, and candid new interviews with filmmakers from across the LGBTQ+ spectrum, Ryan Gilbey's engaging and dynamic \u003ci\u003eIt Used to be Witches\u003c\/i\u003e is a non-chronological treasure-hunt through queer cinema past and present.\u003c\/p\u003e\n\n\u003cp\u003eAndrew Haigh (\u003ci\u003eAll of Us Strangers\u003c\/i\u003e), Cheryl Dunye (\u003ci\u003eThe Watermelon Woman\u003c\/i\u003e), Isabel Sandoval (\u003ci\u003eLingua Franca\u003c\/i\u003e), and Bruce LaBruce (\u003ci\u003eNo Skin Off My Ass\u003c\/i\u003e) are among the directors who reveal how queer artists use film to express their most personal truths—and to challenge, defy, and outrage a world that would rather they didn't exist.\u003c\/p\u003e\n\n\u003cp\u003eThat world might look rainbow-coloured from some angles, with the likes of \u003ci\u003eBrokeback Mountain\u003c\/i\u003e, \u003ci\u003eCall Me By Your Name\u003c\/i\u003e, \u003ci\u003eMoonlight\u003c\/i\u003e, and \u003ci\u003ePortrait of a Lady on Fire\u003c\/i\u003e winning awards and acclaim. But as queer and trans people find themselves increasingly under attack, \u003ci\u003eIt Used to Be Witches\u003c\/i\u003e asks whether cinema can be an effective weapon of resistance and change, and celebrates an outlaw spirit which refuses to die.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin","offers":[{"title":"Default Title","offer_id":46853537497324,"sku":"9780571381524","price":45.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/40e89c3a4b930e28af4cfcd254435d20.jpg?v=1759260299","url":"https:\/\/bookhero.co.nz\/products\/it-used-to-be-witches-by-ryan-gilbey-9780571381524","provider":"Book Hero","version":"1.0","type":"link"}