{"title":"Tad Richards","description":"\u003cp\u003e\u003cstrong\u003eTad Richards\u003c\/strong\u003e offers a distinctive blend of insight and creativity within the realm of \u003cem\u003eArts \u0026amp; Culture\u003c\/em\u003e. His works, such as \u003cem\u003eListening to Prestige\u003c\/em\u003e, capture the nuanced interplay between music, art, and society, inviting readers to explore cultural expressions with depth and sensitivity.\u003c\/p\u003e\n\n\u003cp\u003eReaders of Richards’ books can expect thoughtful reflections that illuminate the subtleties of artistic experience. His prose encourages a deeper appreciation of cultural moments, making his collection a compelling choice for those fascinated by the arts and their wider significance.\u003c\/p\u003e","products":[{"product_id":"listening-to-prestige-by-tad-richards-9798855804942","title":"Listening to Prestige","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eA complete chronicle of one of the greatest postwar jazz labels.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eFounded by jazz enthusiast Bob Weinstock, Prestige Records recorded the leading jazz artists of its day, many of whom were at or approaching their creative peak, from its inception in 1949 until 1972. It documented the changing jazz styles as they emerged, from bebop and post-bop, to third stream, hardbop, free jazz, and soul jazz, while honouring the previous generation of jazz musicians.\u003c\/p\u003e\n\n\u003cp\u003ePrestige was also among the first labels to work with recording engineer Rudy Van Gelder, who revolutionised the way jazz was recorded. The 1950s were a growth era for jazz, as modern jazz came to be accepted as part of mainstream American music. Prestige captured the leading artists of the era, including the Modern Jazz Quartet, Thelonious Monk, Sonny Rollins, John Coltrane, and especially Miles Davis, all of whom did some of their most important work for the label in this period.\u003c\/p\u003e\n\n\u003cp\u003eThe 1960s saw an exciting and challenging new avant-garde, making the music that came to be known as \"free jazz,\" epitomised by leading Prestige artists Eric Dolphy and Booker Ervin. Other musicians looked back to their roots, developing the earthy, danceable style called soul jazz or jazz funk. Prestige became the epicentre of this new sound, thanks to artists such as Gene Ammons, Shirley Scott, Eddie \"Lockjaw\" Davis, Brother Jack McDuff, and George Benson.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eListening to Prestige\u003c\/em\u003e presents the author's lifelong enthusiasm for the label and takes a deep dive into Prestige's impressive catalogue, documenting the key artists who shaped postwar American jazz.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47397893177580,"sku":"9798855804942","price":353.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/17232633488901.jpg?v=1773731112"},{"product_id":"listening-to-prestige-by-tad-richards-9798855804959","title":"Listening to Prestige","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eA complete chronicle of one of the greatest postwar jazz labels.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eFounded by jazz enthusiast Bob Weinstock, Prestige Records recorded the leading jazz artists of its day, many of whom were at or approaching their creative peak, from its inception in 1949 until 1972. It documented the changing jazz styles as they emerged, from bebop and post-bop, to third stream, hardbop, free jazz, and soul jazz, while honouring the previous generation of jazz musicians.\u003c\/p\u003e\n\n\u003cp\u003ePrestige was also among the first labels to work with recording engineer Rudy Van Gelder, who revolutionised the way jazz was recorded. The 1950s were a growth era for jazz, as modern jazz came to be accepted as part of mainstream American music. Prestige captured the leading artists of the era, including the Modern Jazz Quartet, Thelonious Monk, Sonny Rollins, John Coltrane, and especially Miles Davis, all of whom did some of their most important work for the label in this period.\u003c\/p\u003e\n\n\u003cp\u003eThe 1960s saw an exciting and challenging new avant-garde, making the music that came to be known as \"free jazz,\" epitomised by leading Prestige artists Eric Dolphy and Booker Ervin. Other musicians looked back to their roots, developing the earthy, danceable style called soul jazz or jazz funk. Prestige became the epicentre of this new sound, thanks to artists such as Gene Ammons, Shirley Scott, Eddie \"Lockjaw\" Davis, Brother Jack McDuff, and George Benson.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eListening to Prestige\u003c\/em\u003e presents the author's lifelong enthusiasm for the label and takes a deep dive into Prestige's impressive catalogue, documenting the key artists who shaped postwar American jazz.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47397893210348,"sku":"9798855804959","price":65.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/17232803488901.jpg?v=1773731127"}],"url":"https:\/\/bookhero.co.nz\/collections\/tad-richards.oembed","provider":"Book Hero","version":"1.0","type":"link"}