{"title":"Series: Routledge History of Photography","description":"\u003cp\u003eThe \u003cstrong\u003eRoutledge History of Photography\u003c\/strong\u003e series offers a rich exploration of photography’s evolution, examining its cultural, social, and artistic impact across different eras. Readers can expect detailed insights into the development of photographic techniques and the ways photography has shaped and reflected historical moments.\u003c\/p\u003e\n\n\u003cp\u003eIdeal for enthusiasts and scholars alike, this collection provides thoughtful analysis and contextual understanding, bridging the disciplines of history, art, and visual culture. It invites readers to consider photography not only as an art form but also as a powerful tool of communication and documentation.\u003c\/p\u003e","products":[{"product_id":"empire-early-photography-and-spectacle-by-elisa-decourcy-9780367612368","title":"Empire, Early Photography and Spectacle","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eJames William Newland’s (1810–1857) career as a showman daguerreotypist began in the United States but expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India.\u003c\/p\u003e\n\n\u003cp\u003eNewland used the latest developments in photography, theatre and spectacle to create powerful new visual experiences for audiences in each of these volatile colonial societies. \u003cem\u003eEmpire, Early Photography and Spectacle\u003c\/em\u003e assesses his surviving, vivid portraits against other visual ephemera and archival records of his time. Newland’s magic lantern and theatre shows are imaginatively reconstructed from textual sources and analysed, with his short, rich career casting a new light on the complex worlds of the mid-nineteenth century. It provides a revealing case study of someone brokering new experiences with optical technologies for varied audiences at the forefront of the age of modern vision.\u003c\/p\u003e\n\n\u003cp\u003eThis book will be of interest to scholars in art and visual culture, photography, the history of photography and Victorian history.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47605629452524,"sku":"9780367612368","price":93.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780367612368-empire-early-photography-and-spectacle.jpg?v=1778136516"},{"product_id":"empire-early-photography-and-spectacle-by-elisa-decourcy-9781350130364","title":"Empire, Early Photography and Spectacle","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eJames William Newland’s (1810–1857) career as a showman daguerreotypist began in the United States but expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India.\u003c\/p\u003e\n\n\u003cp\u003eNewland used the latest developments in photography, theatre, and spectacle to create powerful new visual experiences for audiences in each of these volatile colonial societies. \u003cem\u003eEmpire, Early Photography and Spectacle\u003c\/em\u003e assesses his surviving, vivid portraits against other visual ephemera and archival records of his time. Newland’s magic lantern and theatre shows are imaginatively reconstructed from textual sources and analysed, with his short, rich career casting a new light on the complex worlds of the mid-nineteenth century. It provides a revealing case study of someone brokering new experiences with optical technologies for varied audiences at the forefront of the age of modern vision.\u003c\/p\u003e\n\n\u003cp\u003eThis book will be of interest to scholars in art and visual culture, photography, the history of photography, and Victorian history.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin Aotearoa New Zealand","offers":[{"title":"Default Title","offer_id":47605630107884,"sku":"9781350130364","price":341.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781350130364-empire-early-photography-and-spectacle.jpg?v=1778136530"},{"product_id":"photography-and-ontology-9780815374299","title":"Photography and Ontology","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eThis edited collection explores the complex ways in which photography is used and interpreted: as a record of evidence, as a form of communication, as a means of social and political provocation, as a mode of surveillance, as a narrative of the self, and as an art form.\u003c\/p\u003e\n\n\u003cp\u003eWhat makes photographic images unsettling and how do the re-uses and interpretations of photographic images unsettle the self-evident reality of the visual field? Taking up these themes, \u003cem\u003ePhotography and Ontology\u003c\/em\u003e examines the role of photography as a revelatory medium underscored by its complex association with history, memory, experience and identity.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47607368745196,"sku":"9780815374299","price":341.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780815374299-photography-and-ontology.jpg?v=1778162640"},{"product_id":"the-domestic-interior-and-the-self-in-contemporary-photography-by-jane-simon-9780367543402","title":"The Domestic Interior and the Self in Contemporary Photography","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eBy carefully conceptualising the domestic in relation to the self and the photographic, this book offers a unique contribution to both photography theory and criticism, and life-narrative studies. Jane Simon brings together two critical practices into a new conversation, arguing that artists who harness domestic photography can advance a more expansive understanding of the autobiographical.\u003c\/p\u003e\n\n\u003cp\u003eExploring the idea that self-representation need not equate to self-portraiture or involve the human form, artists from around the globe are examined, including Rinko Kawauchi, Catherine Opie, Dayanita Singh, Moyra Davey, and Elina Brotherus, who maintain a personal gaze at domestic detail. By treating the representation of interiors, domestic objects, and the very practice of photographic seeing and framing as autobiographical gestures, \u003cem\u003eThe Domestic Interior and the Self in Contemporary Photography\u003c\/em\u003e reframes the relationship between interiors and exteriors, public and private, and insists on the importance of domestic interiors to understandings of the self and photography.\u003c\/p\u003e\n\n\u003cp\u003eThis book will be of interest to scholars working in photographic history and theory, art history, and visual studies.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47607936352492,"sku":"9780367543402","price":353.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780367543402-the-domestic-interior-and-the-self-in-contemporary-photography.jpg?v=1778180206"},{"product_id":"the-selfie-temporality-and-contemporary-photography-by-claire-raymond-9780367765750","title":"The Selfie, Temporality, and Contemporary Photography","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eThis book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice.\u003c\/p\u003e\n\n\u003cp\u003eClaire Raymond investigates how the selfie’s involvement with time and self emerges from capitalist ideologies of identity and time. The book leverages theories from Katharina Pistor, Jacques Lacan, Rögnvaldur Ingthorsson, and Hans Belting to explore the ways in which the selfie imposes a dominant ideology on subjectivity by manipulating the affect of time. The selfie is understood in contrast to the self-portrait. Artists discussed include James Tylor, Shelley Niro, Ellen Carey, Graham MacIndoe, and LaToya Ruby Frazier.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe Selfie, Temporality, and Contemporary Photography\u003c\/em\u003e will be of interest to scholars working in visual culture, history of photography, and critical theory. It will also appeal to scholars of philosophy and, in particular, of the intersection of aesthetic theory and theories of ontology, epistemology, and temporality.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47608169169132,"sku":"9780367765750","price":93.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780367765750-the-selfie-temporality-and-contemporary-photography.jpg?v=1778187133"}],"url":"https:\/\/bookhero.co.nz\/collections\/series-routledge-history-of-photography.oembed","provider":"Book Hero","version":"1.0","type":"link"}