{"title":"Series: Routledge Advances in Art and Visual Studies","description":"\u003cp\u003eThe \u003cstrong\u003eRoutledge Advances in Art and Visual Studies\u003c\/strong\u003e series offers insightful explorations into the evolving landscape of visual culture, art theory, and interdisciplinary practices. Readers can expect rigorous scholarship that challenges conventional perspectives, engaging with contemporary debates across philosophy, psychology, and cultural criticism.\u003c\/p\u003e\n\n\u003cp\u003eThese works illuminate the intricate relationship between visual art and society, examining how meaning and value are constructed and perceived. Ideal for those seeking to deepen their understanding of art’s role within broader intellectual and cultural contexts, this collection bridges academic inquiry with accessible analysis.\u003c\/p\u003e","products":[{"product_id":"art-after-instagram-by-lachlan-macdowall-9781032159263","title":"Art After Instagram","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eThis book explores the effects of the Instagram platform on the making and viewing of art.\u003c\/p\u003e\n\n\u003cp\u003eAuthors Lachlan MacDowall and Kylie Budge critically analyse the ways Instagram has influenced artists, art spaces, art institutions, and art audiences, and ultimately contemporary aesthetic experience. The book argues that more than simply being a container for digital photography, the architecture of Instagram represents a new relationship to the image and to visual experience, a way of shaping ocular habits and social relations.\u003c\/p\u003e\n\n\u003cp\u003eFollowing a detailed analysis of the structure of Instagram – the tactile world of affiliation (‘follows’), aesthetics (‘likes’) and attention (‘comments’) – the book examines how art spaces, audiences, and aesthetics are key to understanding its rise.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eArt After Instagram\u003c\/em\u003e will be of interest to scholars working in art history, design, digital culture, cultural studies, sociology, education, business, media, and communication studies.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47605042282732,"sku":"9781032159263","price":93.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781032159263-art-after-instagram.jpg?v=1778121470"},{"product_id":"art-agency-and-the-continued-assault-on-authorship-by-simon-blond-9780367643720","title":"Art, Agency and the Continued Assault on Authorship","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eArt, Agency and the Continued Assault on Authorship\u003c\/em\u003e presents a counter-history to the relentless critique of the humanist subject and authorial agency that has taken place over the past fifty years.\u003c\/p\u003e\n\n\u003cp\u003eIt is both an interrogation of that critique and the tracing of an alternative narrative from Romanticism to the twenty-first century, celebrating the agency of the artist as a powerful contribution to the wellbeing of the community. This narrative is developed through arguments based on philosophical aesthetics and cultural theory, interspersed with case histories of particular artists.\u003c\/p\u003e\n\n\u003cp\u003eFurthermore, the book engages with a second issue that cannot be separated from the first: the question of what the role and purpose of art is in society. This question has become particularly important since the 1990s because of the \"social turn\" in art, which claims that the only valid role for art is one with explicit social consequences. \u003cem\u003eArt, Agency and the Continued Assault on Authorship\u003c\/em\u003e argues that a political role for art is valuable, but not the only one that can be envisaged, nor is it the most obvious or important. Art also serves other social roles, such as engendering empathy and community, and re-enchanting a world bereft of meaning and reduced to material values.\u003c\/p\u003e\n\n\u003cp\u003eThe book will appeal to practising artists as well as scholars working in art history, philosophy, aesthetics, and curatorial studies.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47605042348268,"sku":"9780367643720","price":91.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780367643720-art-agency-and-the-continued-assault-on-authorship.jpg?v=1778121485"},{"product_id":"artistic-cartography-and-design-explorations-towards-the-pluriverse-9781032245164","title":"Artistic Cartography and Design Explorations Towards the Pluriverse","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eThis edited volume uses an interdisciplinary approach to art and design that not only reframes but also repositions agendas and actions to address fragmented global systems.\u003c\/p\u003e\n\n\u003cp\u003eContributors explore the pluriverse of art and design through epistemological and methodological considerations. What kinds of sustainable ways are there for knowledge transfer, supporting plural agendas, finding novel ways for unsettling conversations, unlearning and learning, and challenging power structures with marginalised groups and contexts through art and design?\u003c\/p\u003e\n\n\u003cp\u003eThe main themes of the book are art and design methods, epistemologies, and practices that provide critical, interdisciplinary, pluriversal, and decolonial considerations. The book challenges the domination of the white logic of art and design and shifts away from the Anglo-European one-world system towards \u003ci\u003ethe pluriverse\u003c\/i\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThis book will be of interest to scholars working in art history, visual studies, arts-based research, and design studies.\u003c\/p\u003e\n\n\u003cp\u003eThe Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 license.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47605045625068,"sku":"9781032245164","price":306.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781032245164-artistic-cartography-and-design-explorations-towards-the-pluriverse.jpg?v=1778121604"},{"product_id":"artistic-cartography-and-design-explorations-towards-the-pluriverse-9781032258232","title":"Artistic Cartography and Design Explorations Towards the Pluriverse","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eThis edited volume uses an interdisciplinary approach to art and design that not only reframes but also repositions agendas and actions to address fragmented global systems.\u003c\/p\u003e\n\n\u003cp\u003eContributors explore the pluriverse of art and design through epistemological and methodological considerations. What kinds of sustainable ways are there for knowledge transfer, supporting plural agendas, finding novel ways for unsettling conversations, unlearning and learning, and challenging power structures with marginalised groups and contexts through art and design?\u003c\/p\u003e\n\n\u003cp\u003eThe main themes of the book are art and design methods, epistemologies, and practices that provide critical, interdisciplinary, pluriversal, and decolonial considerations. The book challenges the domination of the white logic of art and design and shifts away from the Anglo-European one-world system towards the \u003cem\u003epluriverse\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThe book will be of interest to scholars working in art history, visual studies, arts-based research, and design studies.\u003c\/p\u003e\n\n\u003cp\u003eThe Open Access version of this book, available at \u003ca href=\"http:\/\/www.taylorfrancis.com\"\u003ewww.taylorfrancis.com\u003c\/a\u003e, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47605045657836,"sku":"9781032258232","price":89.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781032258232-artistic-cartography-and-design-explorations-towards-the-pluriverse.jpg?v=1778121614"},{"product_id":"arts-based-methods-for-decolonising-participatory-research-9780367513313","title":"Arts-Based Methods for Decolonising Participatory Research","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eIn an effort to challenge the ways in which colonial power relations and Eurocentric knowledges are reproduced in participatory research, this book explores whether and how it is possible to use arts-based methods for creating more horizontal and democratic research practices.\u003c\/p\u003e\n\n\u003cp\u003eIn discussing both the transformative potential and limitations of arts-based methods, \u003cem\u003eArts-Based Methods for Decolonising Participatory Research\u003c\/em\u003e asks: What can arts-based methods contribute to decolonising participatory research and its processes and practices? The book takes part in ongoing debates related to the need to decolonise research, and investigates practical contributions of arts-based methods in the practice-led research domain. Further, it discusses the role of artistic research in depth, locating it in a decolonising context.\u003c\/p\u003e\n\n\u003cp\u003eThe book will be of interest to scholars working in art history, design, fine arts, service design, social sciences and development studies.\u003c\/p\u003e\n\n\u003cp\u003eThe Open Access version of this book, available at \u003ca href=\"http:\/\/www.taylorfrancis.com\"\u003ehttp:\/\/www.taylorfrancis.com\u003c\/a\u003e, has been made available under a Creative Commons Attribution-Non Commercial 4.0 license.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47605045723372,"sku":"9780367513313","price":93.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780367513313-arts-based-methods-for-decolonising-participatory-research.jpg?v=1778121622"},{"product_id":"arts-based-methods-for-decolonising-participatory-research-9780367513276","title":"Arts-Based Methods for Decolonising Participatory Research","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eIn an effort to challenge the ways in which colonial power relations and Eurocentric knowledges are reproduced in participatory research, this book explores whether and how it is possible to use arts-based methods for creating more horizontal and democratic research practices.\u003c\/p\u003e\n\n\u003cp\u003eIn discussing both the transformative potential and limitations of arts-based methods, the book asks: What can arts-based methods contribute to decolonising participatory research and its processes and practices? The book takes part in ongoing debates related to the need to decolonise research, and investigates practical contributions of arts-based methods in the practice-led research domain. Further, it discusses the role of artistic research in depth, locating it in a decolonising context.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eArts-Based Methods for Decolonising Participatory Research\u003c\/em\u003e will be of interest to scholars working in art history, design, fine arts, service design, social sciences and development studies.\u003c\/p\u003e\n\n\u003cp\u003eThe Open Access version of this book, available at \u003ca href=\"http:\/\/www.taylorfrancis.com\"\u003ehttp:\/\/www.taylorfrancis.com\u003c\/a\u003e, has been made available under a Creative Commons Attribution-Non Commercial 4.0 license.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47605046149356,"sku":"9780367513276","price":341.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780367513276-arts-based-methods-for-decolonising-participatory-research.jpg?v=1778121629"},{"product_id":"contemporary-artists-working-outside-the-city-by-sarah-lowndes-9781138712607","title":"Contemporary Artists Working Outside the City","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eThis book reflects on the motivations of creative practitioners who have moved out of cities from the mid-1960s onwards to establish creative homesteads. The book focuses on desert exile painter Agnes Martin, radical filmmaker and gardener Derek Jarman, and iconoclastic conceptual artist Chris Burden, detailing their connections to the cities they had left behind (New York, London, Los Angeles).\u003c\/p\u003e\n\n\u003cp\u003eSarah Lowndes also examines how the rise of digital technologies has made it more possible for artists to live and work outside the major art centres, especially given the rising cost of living in London, Berlin, and New York. \u003cem\u003eContemporary Artists Working Outside the City\u003c\/em\u003e focuses on three peripheral creative centres: the seaside town of Hastings, England, the midsized metro of Leipzig, Germany, and post-industrial Detroit, USA.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47605262778604,"sku":"9781138712607","price":341.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781138712607-contemporary-artists-working-outside-the-city.jpg?v=1778129684"},{"product_id":"dialogues-between-artistic-research-and-science-and-technology-studies-9781032465661","title":"Dialogues Between Artistic Research and Science and Technology Studies","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eThis edited volume maps dialogues between science and technology studies research on the arts and the emerging field of artistic research. The main themes in the book are an advanced understanding of discursivity and reasoning in arts-based research, the methodological relevance of material practices and things, and innovative ways of connecting, staging, and publishing research in art and academia.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eDialogues Between Artistic Research and Science and Technology Studies\u003c\/em\u003e touches on topics including studies of artistic practices; reflexive practitioners at the boundaries between the arts, science, and technology; non-propositional forms of reasoning; unconventional (arts-based) research methods and enhanced modes of presentation and publication.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47605593604332,"sku":"9781032465661","price":89.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781032465661-dialogues-between-artistic-research-and-science-and-technology-studies.jpg?v=1778133912"},{"product_id":"gestures-of-seeing-in-film-video-and-drawing-9781138319783","title":"Gestures of Seeing in Film, Video and Drawing","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eThe first book of its kind, \u003ci\u003eGestures of Seeing in Film, Video and Drawing\u003c\/i\u003e engages broadly with the often too neglected yet significant questions of gesture in visual culture.\u003c\/p\u003e\n\n\u003cp\u003eIn our turbulent mediasphere where images – as lenses bearing on their own circumstances – are constantly mobilised to enact symbolic forms of warfare and where they get entangled in all kinds of cultural conflicts and controversies, a turn to the gestural life of images seems to promise a particularly pertinent avenue of intellectual inquiry.\u003c\/p\u003e\n\n\u003cp\u003eThe complex gestures of the artwork remain an under-explored theoretical topos in contemporary visual culture studies. In visual art, the gestural appears to be that which intervenes between form and content, materiality and meaning. But as a conceptual force, it also impinges upon the very process of seeing itself.\u003c\/p\u003e\n\n\u003cp\u003eAs a critical and heuristic trope, the gestural galvanises many of the most pertinent areas of inquiry in contemporary debates and scholarship in visual culture and related disciplines: ethics (images and their values and affects), aesthetics (from visual essentialism to transesthetics and synesthesia), ecology (iconoclastic gestures and spaces of conflict), and epistemology (questions of the archive, memory, and documentation).\u003c\/p\u003e\n\n\u003cp\u003eOffering fresh perspectives on many of these areas, \u003ci\u003eGestures of Seeing in Film, Video and Drawing\u003c\/i\u003e will be intensely awaited by readers from and across several disciplines, such as anthropology, linguistics, performance, theatre, film, and visual studies.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47605945368812,"sku":"9781138319783","price":109.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781138319783-gestures-of-seeing-in-film-video-and-drawing.jpg?v=1778142403"}],"url":"https:\/\/bookhero.co.nz\/collections\/series-routledge-advances-in-art-and-visual-studies.oembed","provider":"Book Hero","version":"1.0","type":"link"}