{"title":"Series: Publications of the Department of Art and Archaeology, Princeton University","description":"\u003cp\u003eThe \u003cem\u003ePublications of the Department of Art and Archaeology, Princeton University\u003c\/em\u003e offer a rich exploration of cultural history and artistic heritage through scholarly research. Readers can expect thoughtful analyses that bridge the past and present, shedding light on diverse subjects within philosophy, history, and the arts.\u003c\/p\u003e\n\n\u003cp\u003eFrom insightful studies that deepen understanding of ancient societies to works that enhance appreciation of artistic practices, this series invites readers to engage with complex ideas and visual culture. It is ideal for those intrigued by the intersection of art, history, and archaeology in a finely crafted academic context.\u003c\/p\u003e","products":[{"product_id":"the-minds-eye-9780691124766","title":"The Mind's Eye","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eThe Mind's Eye\u003c\/em\u003e focuses on the relationships among art, theology, exegesis, and literature—issues long central to the study of medieval art, yet ripe for reconsideration. Essays by leading scholars from many fields examine the illustration of theological commentaries, the use of images to expound or disseminate doctrine, the role of images within theological discourse, the development of doctrine in response to images, and the place of vision and the visual in theological thought.\u003c\/p\u003e\n\n\u003cp\u003eAt issue are the ways in which theologians responded to the images that we call art and in which images entered into dialogue with theological discourse. In what ways could medieval art be construed as argumentative in structure as well as in function? Are any of the modes of representation in medieval art analogous to those found in texts?\u003c\/p\u003e\n\n\u003cp\u003eIn what ways did images function as vehicles, not merely vessels, of meaning and signification? To what extent can exegesis and other genres of theological discourse shed light on the form, as well as the content and function, of medieval images?\u003c\/p\u003e\n\n\u003cp\u003eThese are only some of the challenging questions posed by this unprecedented and interdisciplinary collection, which provides a historical framework within which to reconsider the relationship between seeing and thinking, perception and the imagination in the Middle Ages.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Hachette Aotearoa New Zealand","offers":[{"title":"Default Title","offer_id":47599742714092,"sku":"9780691124766","price":126.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/2eaa88242add29782a8fd612abbc80bc.jpg?v=1778021729"}],"url":"https:\/\/bookhero.co.nz\/collections\/series-publications-of-the-department-of-art-and-archaeology-princeton-university.oembed","provider":"Book Hero","version":"1.0","type":"link"}