{"title":"Series: New Directions in Classics","description":"\u003cp\u003e\u003cstrong\u003eNew Directions in Classics\u003c\/strong\u003e offers a vibrant array of titles that challenge traditional boundaries and invite readers to explore fresh perspectives across diverse fields. From insightful treatises on \u003cem\u003ePhilosophy \u0026amp; Psychology\u003c\/em\u003e to innovative approaches in \u003cem\u003eFinance \u0026amp; Investment\u003c\/em\u003e and \u003cem\u003eBusiness \u0026amp; Entrepreneurship\u003c\/em\u003e, each work unwraps new layers of understanding rooted in classic ideas but presented with contemporary relevance.\u003c\/p\u003e\n\n\u003cp\u003eThe series also spans richly varied terrain, encompassing thoughtful histories, imaginative graphic novels, children’s adventures, and practical guides in computing and travel. Readers can expect a collection that is both intellectually stimulating and richly engaging, making \u003cem\u003eNew Directions in Classics\u003c\/em\u003e a unique meeting point for tradition and innovation.\u003c\/p\u003e","products":[{"product_id":"antiquity-in-print-by-daniel-orrells-9781350407770","title":"Antiquity in Print","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eDaniel Orrells\u003c\/em\u003e examines the ways in which the ancient world was visualised for Enlightenment readers, and reveals how antiquarian scholarship emerged as the principal technology for envisioning ancient Greek culture, at a time when very few people could travel to Greece, which was still part of the Ottoman Empire.\u003c\/p\u003e\n\n\u003cp\u003eOffering a fresh account of the rise of antiquarianism in the 18th century, Orrells shows how this period of cultural progression was important for the invention of classical studies. In particular, the main focus of this book is on the visionary experimentalism of antiquarian book production, especially in relation to the contentious nature of ancient texts.\u003c\/p\u003e\n\n\u003cp\u003eWith the explosion of the Quarrel between the Ancients and the Moderns, eighteenth-century intellectuals, antiquarians, and artists such as Giambattista Vico, Johann Joachim Winckelmann, the Comte de Caylus, James Stuart, Julien-David Leroy, Giovanni Battista Piranesi, and Pierre-François Hugues d’Hancarville all became interested in how printed engravings of ancient art and archaeology could visualise a historical narrative. These figures theorised the relationship between ancient text and ancient material and visual culture—theorisations which would pave the way to foundational questions at the heart of the discipline of classical studies and neoclassical aesthetics.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin","offers":[{"title":"Default Title","offer_id":47595686854892,"sku":"9781350407770","price":54.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781350407770-antiquity-in-print.jpg?v=1777901930"},{"product_id":"pindar-and-the-sublime-by-professor-robert-l-fowler-9781350198166","title":"Pindar and the Sublime","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003ePindar—the ‘Theban eagle’, as Thomas Gray famously called him—has often been taken as the archetype of the sublime poet: soaring into the heavens on wings of language and inspired by visions of eternity. In this much-anticipated new study, Robert Fowler asks in what ways the concept of the sublime can still guide a reading of the greatest of the Greek lyric poets. Working with ancient and modern treatments of the topic, especially the poetry and writings of Friedrich Hölderlin (1770–1843), arguably Pindar’s greatest modern reader, he develops the case for an aesthetic appreciation of Pindar’s odes as literature.\u003c\/p\u003e\n\n\u003cp\u003eBuilding on recent trends in criticism, he shifts the focus away from the first performance and the orality of Greek culture to reception and the experience of Pindar’s odes as text. This change of emphasis yields a fresh discussion of many facets of Pindar’s astonishing art, including the relation of the poems to their occasions, performativity, the poet’s persona, his imagery, and his myths. Consideration of Pindar’s views on divinity, transcendence, time, and the limits of language reveals him to be not only a great writer but a great thinker.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin","offers":[{"title":"Default Title","offer_id":47597512655084,"sku":"9781350198166","price":51.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781350198166-pindar-and-the-sublime.jpg?v=1777954518"}],"url":"https:\/\/bookhero.co.nz\/collections\/series-new-directions-in-classics.oembed","provider":"Book Hero","version":"1.0","type":"link"}