{"title":"Series: California Studies in 20th-Century Music","description":"\u003cp\u003e\u003cem\u003eCalifornia Studies in 20th-Century Music\u003c\/em\u003e offers a rigorous exploration of musical innovation and cultural shifts across a transformative century. Readers will encounter insightful analyses that bridge music theory, historical context, and philosophical inquiry, illuminating the complex forces shaping modern soundscapes.\u003c\/p\u003e\n\n\u003cp\u003eEach volume delves into the interplay between music and broader social currents, making this series essential for those interested in the dynamic evolution of musical expression within the 20th century. It speaks to scholars and enthusiasts drawn to the intersections of art, history, and thought.\u003c\/p\u003e","products":[{"product_id":"german-modernism-by-walter-frisch-9780520251489","title":"German Modernism","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eIn this pioneering, erudite study of a pivotal era in the arts, Walter Frisch examines music and its relationship to early modernism in the Austro-German sphere. Seeking to explore the period on its own terms, Frisch questions the common assumption that works created from the later 1870s through World War I were transitional between late romanticism and high modernism. Drawing on a wide range of examples across different media, he establishes a cultural and intellectual context for late Richard Wagner, Richard Strauss, Gustav Mahler, and Arnold Schoenberg, as well as their less familiar contemporaries Eugen d'Albert, Hans Pfitzner, Max Reger, Max von Schillings, and Franz Schreker.\u003c\/p\u003e\n\n\u003cp\u003eFrisch explores \"ambivalent\" modernism in the last quarter of the nineteenth century as reflected in the attitudes of, and relationship between, Nietzsche and Wagner. He goes on to examine how naturalism, the first self-conscious movement of German modernism, intersected with musical values and practices of the day. He proposes convergences between music and the visual arts in the works of Brahms, Max Klinger, Schoenberg, and Kandinsky. Frisch also explains how, near the turn of the century, composers drew inspiration and techniques from music of the past—the Renaissance, Bach, Mozart, and Wagner. Finally, he demonstrates how irony became a key strategy in the novels and novellas of Thomas Mann, the symphonies of Mahler, and the operas of Strauss and Hofmannsthal.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47470742700268,"sku":"9780520251489","price":66.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780520251489-german-modernism.jpg?v=1775224715"},{"product_id":"in-search-of-a-concrete-music-by-pierre-schaeffer-9780520265745","title":"In Search of a Concrete Music","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003ePierre Schaeffer's \u003cem\u003eIn Search of a Concrete Music (À la recherche d'une musique concrète)\u003c\/em\u003e has long been considered a classic text in electroacoustic music and sound recording. Now Schaeffer's pioneering work—at once a journal of his experiments in sound composition and a treatise on the raison d'être of \"concrete music\"—is available for the first time in English translation.\u003c\/p\u003e\n\n\u003cp\u003eSchaeffer's theories have had a profound influence on composers working with technology. However, they extend beyond the confines of the studio and are applicable to many areas of contemporary musical thought, such as defining an 'instrument' and classifying sounds.\u003c\/p\u003e\n\n\u003cp\u003eSchaeffer has also become increasingly relevant to DJs and hip-hop producers as well as sound-based media artists. This unique book is essential for anyone interested in contemporary musicology or media history.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47470867251436,"sku":"9780520265745","price":66.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780520265745-in-search-of-a-concrete-music.jpg?v=1775229415"},{"product_id":"kinetic-cultures-by-rachana-vajjhala-9780520356276","title":"Kinetic Cultures","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eBelle époque Paris adored dance. Whether at the music hall or in more refined theatres, audiences flocked to see the spectacles offered to them by the likes of Isadora Duncan, Diaghilev’s flashy company, or an embarrassment of Salomes. After languishing in the shadow of opera for much of the nineteenth century, ballet found itself part of this lively kinetic constellation.\u003c\/p\u003e\n\n\u003cp\u003eIn \u003cem\u003eKinetic Cultures\u003c\/em\u003e, Rachana Vajjhala argues that far from being mere delectation, ballet was implicated in the larger republican project of national rehabilitation through a rehabilitation of its citizens. By tracing the various gestural complexes of the period—bodybuilding routines, appropriate physical comportment for women, choreographic vocabularies, and more—the author presents a new way of understanding histories of dance and music, one that she locates in gesture and movement.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47471059435756,"sku":"9780520356276","price":123.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780520356276-kinetic-cultures.jpg?v=1775231670"},{"product_id":"treatise-on-musical-objects-by-pierre-schaeffer-9780520294301","title":"Treatise on Musical Objects","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eTreatise on Musical Objects\u003c\/em\u003e is regarded as Pierre Schaeffer’s most important work on music and its relationship with technology. Schaeffer expands his earlier research in \u003cem\u003emusique concrète\u003c\/em\u003e to suggest a methodology of working with sounds based on his experiences in radio broadcasting and the recording studio.\u003c\/p\u003e\n\n\u003cp\u003eDrawing on acoustics, physics, and physiology, but also on philosophy and the relationship between subject and object, Schaeffer’s essay summarises his theoretical and practical work in music composition. Translators Christine North and John Dack present an important book in the history of ideas in Europe that will resonate far beyond electroacoustic music.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47600920985836,"sku":"9780520294301","price":85.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/d01fb4a26353432146edcec742debb84.jpg?v=1778019290"}],"url":"https:\/\/bookhero.co.nz\/collections\/series-california-studies-in-20th-century-music.oembed","provider":"Book Hero","version":"1.0","type":"link"}