{"title":"Karen Leeder","description":"\u003cp\u003e\u003cstrong\u003eKaren Leeder\u003c\/strong\u003e crafts poetry that intertwines vivid imagery with profound emotional landscapes. Her work delves into themes of memory, place, and identity, inviting readers to explore moments of both personal and cultural significance. The lyricism and depth of her poems offer a rich, contemplative experience.\u003c\/p\u003e\n\n\u003cp\u003eThrough collections like \u003cem\u003eI Am a Field Full of Rapeseed\u003c\/em\u003e and \u003cem\u003ePorcelain – Poem on the Downfall of My City\u003c\/em\u003e, Leeder's voice bridges the intimate and the universal, blending artistic reflection with the rhythms of contemporary life. Her writing resonates deeply within the realm of \u003cstrong\u003eArts \u0026amp; Culture\u003c\/strong\u003e, appealing to those who appreciate thoughtful and evocative poetry.\u003c\/p\u003e","products":[{"product_id":"porcelain-poem-on-the-downfall-of-my-city-by-karen-leeder-9781803091372","title":"Porcelain – Poem on the Downfall of My City","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003ePorcelain – Poem on the Downfall of My City\u003c\/em\u003e is a book-length cycle of forty-nine poems written over the course of more than a decade. Together, they serve as a lament for Durs Grünbein’s hometown, Dresden, which was destroyed in the Allied firebombing of February 1945.\u003c\/p\u003e\n\n\u003cp\u003eThe book is at once a history and a “declaration of love” to the famed “Venice on the Elbe,” so catastrophically razed by British bombs. It is a musical fusion of eyewitness accounts, family memories, and stories, of monuments and relics. The story unfolds as the city’s destiny is seen through a prism of biographical enigmas, with its intimate relation to the “white gold” porcelain that made its fortune and reflections on the power and limits of poetry.\u003c\/p\u003e\n\n\u003cp\u003eMusical, fractured, ironic, and elegiac, \u003cem\u003ePorcelain\u003c\/em\u003e is controversial in setting itself against what Grünbein calls the “myth” of the Germans as innocent victims of a war crime. At the same time, it never loses sight of the horror deliberately visited on an unwitting civilian population, nor the devastation that looms so large in the German memory.\u003c\/p\u003e\n\n\u003cp\u003ePublished for the first time in English on the seventy-fifth anniversary of the firebombing, this edition contains new images, notes, Grünbein’s own reflections, and an additional canto—an extraordinary act of poetic \u003cem\u003ekintsugi\u003c\/em\u003e for the fractured remains of Dresden’s memory.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47464161837292,"sku":"9781803091372","price":31.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781803091372-porcelain-poem-on-the-downfall-of-my-city.jpg?v=1775039031"},{"product_id":"i-am-a-field-full-of-rapeseed-give-cover-to-deer-and-shine-like-thirteen-oil-paintings-laid-one-on-top-of-the-other-by-ulrike-almut-sandig-9781803091853","title":"I Am a Field Full of Rapeseed, Give Cover to Deer and Shine Like Thirteen Oil Paintings Laid One on Top of the Other","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eUlrike Almut Sandig’s\u003c\/em\u003e second volume of poems to be translated into English is a journey through a world that is imaginary yet entirely recognisable.\u003c\/p\u003e\n\n\u003cp\u003ePrecise observation of the concrete is mixed with playful humour, inspired musicality, and an anxious reckoning with undercurrents of violence in these poems from Ulrike Almut Sandig. Borrowing from the Brothers Grimm, the collection explores the darker side of their fairy tales as a backdrop for very contemporary concerns: migration, war, the rise of the new right, ecological threat, information overload, and political apathy. At the same time, Sandig plays with the German meaning of the word “Grimm”: rage. That emotion permeates the collection as a reaction to the darkness in the collective German consciousness.\u003c\/p\u003e\n\n\u003cp\u003eYet the book is also animated by passionate, expansive empathy—and reminds us what it is to be human. Always inventive, Sandig teases us here with multiple versions of the self, and multiple voices all in search of the origins of poetry in hidden places: in the silence before language, in the wings, in the field of rapeseed deep in the snow.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47596641222892,"sku":"9781803091853","price":31.99,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781803091853-i-am-a-field-full-of-rapeseed-give-cover-to-deer-and-shine-like-thirteen-oil-paintings-laid-one-on-top-of-the-other.jpg?v=1777933670"}],"url":"https:\/\/bookhero.co.nz\/collections\/karen-leeder.oembed","provider":"Book Hero","version":"1.0","type":"link"}