{"title":"David Pullins","description":"\u003cp\u003e\u003cstrong\u003eDavid Pullins\u003c\/strong\u003e offers a fascinating exploration of \u003cem\u003eArts \u0026amp; Culture\u003c\/em\u003e, bringing to light compelling narratives behind notable figures and artworks. His writings delve into the intricate relationships between artists and their subjects, revealing the cultural and historical contexts that shaped their creations.\u003c\/p\u003e\n\n\u003cp\u003eReaders can expect thoughtful analysis and richly detailed storytelling, as seen in titles like \u003cem\u003eJuan de Pareja\u003c\/em\u003e and \u003cem\u003eThe Mobile Image from Watteau to Boucher\u003c\/em\u003e. Pullins' work invites contemplation on the dynamic interplay of art, history, and society.\u003c\/p\u003e","products":[{"product_id":"juan-de-pareja-by-david-pullins-9781588397560","title":"Juan de Pareja","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eA provocative study of a freedman painter that recognizes the labour of enslaved artists and artisans in seventeenth-century Spain\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDiego Velázquez’s (1599–1660) portrait of Juan de Pareja (ca. 1608–1670), his enslaved studio assistant, has long been a landmark of European art. It was painted in 1650, the same year that Velázquez signed papers freeing Pareja, who then built his own successful career as a painter of religious subjects and portraits. This book—the first monograph on Pareja—revises our understanding of artistic production during Spain’s Golden Age and discusses Pareja’s ties to both Velázquez and the Madrid School of the 1660s.\u003c\/p\u003e\n\n\u003cp\u003eHighlighted works include Pareja’s monumental \u003cem\u003eCalling of Saint Matthew\u003c\/em\u003e (1661); Velázquez’s portraits produced in Rome shortly after \u003cem\u003eJuan de Pareja\u003c\/em\u003e (1650); and the manumission document granting Pareja his freedom.\u003c\/p\u003e\n\n\u003cp\u003eThe essays focus on highly skilled, enslaved artisanal labour within Seville’s multiracial society; the role of Black saints and confraternities in the promotion of Catholicism in enslaved populations; and early twentieth-century scholar Arturo Schomburg’s project to recover Pareja’s legacy. The book also includes an illustrated and annotated list of known works attributed to Pareja.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47424436699372,"sku":"9781588397560","price":95.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781588397560.jpg?v=1774768475"},{"product_id":"the-mobile-image-from-watteau-to-boucher-by-david-pullins-9781606068885","title":"The Mobile Image from Watteau to Boucher","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eReframing long-held assumptions about what distinguishes fine from decorative art, this innovative study explores a mode of making, seeing, and thinking that slices across eighteenth-century visual culture.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis book provides a new way of thinking about eighteenth-century French art and visual culture by prioritising production over reception. Abandoning the ideologically driven discourse that distinguished fine from decorative art between the 1690s and 1770s, \u003cem\u003eThe Mobile Image\u003c\/em\u003e reveals how the two have been inextricably bound from the earliest stages of artistic instruction through the daily life of painters' workshops.\u003c\/p\u003e\n\n\u003cp\u003eIn this study, author David Pullins defines artisanal and artistic means of learning, seeing, and making through a system of \"mobile images\": motifs that were effectively engineered for mobility and designed never to be definitive, always awaiting replication and circulation. He examines the careers of Antoine Watteau, Jean-Baptiste Oudry, and François Boucher, situating them against a much broader cast of actors—such as printmakers, publishers, anonymous studio assistants, and architects, among others—to place eighteenth-century painting within a wider context of media and making.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47455790432492,"sku":"9781606068885","price":119.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/71mcJYeQzlL._SL1500.jpg?v=1774798808"}],"url":"https:\/\/bookhero.co.nz\/collections\/david-pullins.oembed","provider":"Book Hero","version":"1.0","type":"link"}