{"title":"David Pace","description":"\u003cp\u003e\u003cstrong\u003eDavid Pace\u003c\/strong\u003e explores the rich intersections of visual culture and contemporary arts in his thoughtful works. His books delve into the evolving language of images, examining how visual transitions shape our understanding of art and society.\u003c\/p\u003e\n\n\u003cp\u003eReaders can anticipate insightful reflections that blend critical analysis with cultural commentary, making his writing an essential companion for enthusiasts of \u003cem\u003eArts \u0026amp; Culture\u003c\/em\u003e seeking fresh perspectives on modern visual expression.\u003c\/p\u003e","products":[{"product_id":"images-in-transition-by-stephen-wirtz-9789053309162","title":"Images In Transition","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eDavid Pace and Stephen Wirtz manipulate and transform wirephotos transmitted during World War II. Beginning with an extensive collection of originals assembled by Wirtz over many years, they scan the images, radically re-cropping and dramatically enlarging portions of the archival wirephotos. Their croppings and enlargements expose the artifacts of the wirephoto technology—the dots, lines, irregularities, and retouchings from the war years.\u003c\/p\u003e\n\n\u003cp\u003eBut the transformations introduced by Pace and Wirtz not only extend, but also reverse, the intentions of the wartime retouchers: instead of obscuring the dots and lines to create a clearer image, Pace and Wirtz reveal and enhance the dots and lines, exposing the technological processes that produced the images. Instead of retouching the images to create an illusion of reality, they make visible the manipulation of the images that were published as news. Instead of enhancing the content to support a narrative of just war and ethical victory, their dramatic enlargements transform wartime content into near-abstraction, creating a subtle counter-narrative.\u003c\/p\u003e\n\n\u003cp\u003eBy exposing the artifacts of wirephoto technology and the actions of the human hands that retouched the images, their work highlights, transforms, and subverts the intention, the content, and the process of these wartime photographs. They raise questions about the technologies of image making and image transmission, the notion of truth in journalism, and the role of propaganda in news photography.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Thames and Hudson (Australia) Pty Ltd","offers":[{"title":"Default Title","offer_id":47486126227692,"sku":"9789053309162","price":110.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/438340a8397ad22c6ddac9340c8bf199.jpg?v=1775780582"},{"product_id":"where-the-time-goes-by-diane-jonte-pace-9789053309421","title":"Where the Time Goes","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eThis book would not exist if David hadn't come so close to death. In December 2016, David was diagnosed with a rare and aggressive form of lymphoma. The oncologist gave him a thirty percent chance of survival. I didn't expect him to live.\u003c\/p\u003e\n\n\u003cp\u003eDuring the time her husband and photographer David Pace went through chemotherapy and radiation, Diane Jonte-Pace turned to a long-postponed household project: to arrange and sort unlabeled and unsorted old photographs, stored in shoeboxes all around the house. Prints and slides, dating from 1970, when the couple first met, individually and collectively, captured a sense of time past and time passing, while each individual photograph froze a moment in their lives.\u003c\/p\u003e\n\n\u003cp\u003eTechnically and stylistically, \u003cem\u003eWhere the Time Goes\u003c\/em\u003e incorporates most of the forms of photography available over the last five decades, starting in a period when cameras and film were becoming more accessible and less expensive. From the 35mm single-lens reflex camera, Brownie Hawkeye, Polaroid, and single-use throwaway cameras to professional cameras like the Pentax 6x7, Sinar 4x5, Deardorff 8x10, and, eventually, full frame digital Canons. More recent photos are snapshots made on iPhone.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Thames and Hudson (Australia) Pty Ltd","offers":[{"title":"Default Title","offer_id":47487765545196,"sku":"9789053309421","price":72.99,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9fd5c971c5aabbad5e9a4dce71eb38c4.jpg?v=1775769036"}],"url":"https:\/\/bookhero.co.nz\/collections\/david-pace.oembed","provider":"Book Hero","version":"1.0","type":"link"}