{"title":"David H. Solkin","description":"\u003cp\u003e\u003cstrong\u003eDavid H. Solkin\u003c\/strong\u003e offers insightful explorations into the world of art, bringing historical and cultural contexts vividly to life. His works, such as \u003cem\u003eGainsborough’s Family Album\u003c\/em\u003e, delve into the intricate connections between art, society, and personal identity.\u003c\/p\u003e\n\n\u003cp\u003eReaders can expect richly researched studies that illuminate the nuances of artistic expression and its impact within the broader tapestry of arts and culture. Solkin’s writing appeals to those who appreciate thoughtful analysis of visual art and its enduring significance.\u003c\/p\u003e","products":[{"product_id":"gainsboroughs-family-album-by-david-h-solkin-9781855147904","title":"Gainsborough’s Family Album","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eDespite his famous protestation in a letter to his friend William Jackson, Gainsborough was clearly prepared to make an exception when it came to creating portraits of his own family and himself. \u003cem\u003eGainsborough’s Family Album\u003c\/em\u003e, and the major exhibition it accompanies, features a dozen portraits of his daughters Mary and Margaret, the same number of himself and his wife Margaret (though, perhaps tellingly, only one of the couple together). It also includes works depicting four of his five siblings, his handsome nephew Gainsborough Dupont (who became his studio assistant), an aunt and uncle, several in-laws and, last but not least, his beloved dogs, Tristram and Fox.\u003c\/p\u003e\n\n\u003cp\u003eSpanning more than four decades, Gainsborough's family portraits chart the period from the mid-1740s, when he plied his trade in his native Suffolk, through his time in Bath (1758–74), when he established himself with a rich and fashionable clientele, to his most successful latter years at his luxuriously appointed studio in London's West End. Alongside this story of a provincial 18th-century artist's rise to fame and fortune runs a more private narrative about the role of portraiture in the promotion of family values, at a time when these were assuming a recognisably modern form.\u003c\/p\u003e\n\n\u003cp\u003eIn the first of three introductory essays, David H. Solkin writes on Gainsborough himself, placing his family portraits in the context of earlier practice, including that of the Flemish master Peter Paul Rubens and British portraitists from Mary Beale to Joseph Highmore. Ann Bermingham explores Gainsborough's portraits of his daughters, with particular reference to two finished double portraits painted seven years apart and the tragic story arising from them. Susan Sloman discusses Margaret's role as her husband's business manager, its effect on the family dynamic, and hence the visual representation of its members.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Thames and Hudson (Australia) Pty Ltd","offers":[{"title":"Default Title","offer_id":47596458705132,"sku":"9781855147904","price":72.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/ceda18e75c1ec6f75035cbad1c053fa4.jpg?v=1777928924"}],"url":"https:\/\/bookhero.co.nz\/collections\/david-h-solkin.oembed","provider":"Book Hero","version":"1.0","type":"link"}