{"title":"Dan Sinykin","description":"\u003cp\u003eDan Sinykin's works explore the art of literary analysis with clarity and depth, offering fresh perspectives on fiction and criticism. His approach encourages readers to engage closely with texts, blending traditional techniques with contemporary insights.\u003c\/p\u003e\n\n\u003cp\u003eIdeal for students and educators alike, these books provide thoughtful guidance on interpreting literature in meaningful ways. Sinykin's writing illuminates the enduring power of storytelling and the evolving practice of close reading in the twenty-first century.\u003c\/p\u003e","products":[{"product_id":"close-reading-for-the-twenty-first-century-by-dan-sinykin-9780691265704","title":"Close Reading for the Twenty-First Century","description":"\u003cp\u003e\u003cb\u003eA user's guide to the fundamental practice of literary studies, providing context, examples, and practical exercises \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eClose reading-making an argument based in close attention to a text-is the foundation of literary studies. This book offers a guide to close reading, treating it as a skill that can be taught and practiced. It first explains what close reading is, what it does, and how it has been used across theoretical schools ranging from affect studies to Black studies to queer theory to Marxism. It then presents a series of master classes in the practice, with original contributions by scholars from a range of different institutions\u003cb\u003e.\u003c\/b\u003e Finally, it provides practical materials, worksheets, and suggested activities for instructors to use in the classroom. The tone throughout is encouraging and accessible, inviting readers of all backgrounds to hone their craft.\u003cbr\u003e\u003cbr\u003eThe book divides the practice of close reading into five steps, coining a term for each step: scene setting, noticing, local claiming, regional argumentation, and global theorizing. It traces the roots of close reading, showing how it has spread far beyond its origins in practical criticism and New Criticism. In twenty-one short chapters, contemporary scholars discuss close readings by such prominent literary critics as Erich Auerbach and Helen Vendler, describing how their arguments work and how to achieve similar results. An essential resource for instructors and students at the undergraduate level and beyond, this book shows how understanding close reading can make us better readers, thinkers, and writers.\u003c\/p\u003e","brand":"Hachette Aotearoa New Zealand","offers":[{"title":"Default Title","offer_id":47397797101804,"sku":"9780691265704","price":49.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/a08f7cef7267eff4d9b3e434b912029c.jpg?v=1773778751"},{"product_id":"big-fiction-by-dan-sinykin-9780231192958","title":"Big Fiction","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eIn the late 1950s, Random House editor Jason Epstein would talk jazz with Ralph Ellison or chat with Andy Warhol while pouring drinks in his office. By the 1970s, editors were poring over profit-and-loss statements. The electronics company RCA bought Random House in 1965, and then other large corporations purchased other formerly independent publishers. As multinational conglomerates consolidated the industry, the business of literature—and literature itself—transformed.\u003c\/p\u003e\n\n\u003cp\u003eDan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author. Giving an inside look at the industry's daily routines, personal dramas, and institutional crises, he reveals how conglomeration has shaped what kinds of books and writers are published. Sinykin examines four different sectors of the publishing industry: mass-market books by brand-name authors like Danielle Steel; trade publishers that encouraged genre elements in literary fiction; nonprofits such as Graywolf that aspired to protect literature from market pressures; and the distinctive niche of employee-owned W. W. Norton. He emphasizes how women and people of colour navigated shifts in publishing, arguing that writers such as Toni Morrison allegorised their experiences in their fiction.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eBig Fiction\u003c\/em\u003e features dazzling readings of a vast range of novelists—including E. L. Doctorow, Judith Krantz, Renata Adler, Stephen King, Joan Didion, Cormac McCarthy, Chuck Palahniuk, Patrick O'Brian, and Walter Mosley—as well as vivid portraits of industry figures. Written in gripping and lively prose, this deeply original book recasts the past six decades of American fiction.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47430163497196,"sku":"9780231192958","price":56.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780231192958.jpg?v=1774559654"}],"url":"https:\/\/bookhero.co.nz\/collections\/dan-sinykin.oembed","provider":"Book Hero","version":"1.0","type":"link"}