{"title":"Clayton Eshleman","description":"\u003cp\u003eClayton Eshleman's works traverse the realms of \u003cem\u003eArts \u0026amp; Culture\u003c\/em\u003e and \u003cem\u003eGeneral Fiction\u003c\/em\u003e, offering a profound exploration of human experience through richly poetic and imaginative prose. His writings often blend vivid narrative with reflective insight, inviting readers into worlds where art, history, and personal reflection intertwine.\u003c\/p\u003e\n\n\u003cp\u003eFrom evocative collections like \u003cstrong\u003e\"Here Lies\"\u003c\/strong\u003e and explorations of visual and cultural expression in \u003cstrong\u003e\"The Human Face\" and Other Writings on His Drawings\u003c\/strong\u003e, Eshleman's oeuvre is marked by a deep engagement with the creative process. His work challenges and enchants, making it essential reading for those drawn to literary art shaped by philosophical and cultural depth.\u003c\/p\u003e","products":[{"product_id":"here-lies-preceded-by-the-indian-culture-by-antonin-artaud-9783035803648","title":"\"Here Lies\" preceded by \"The Indian Culture\"","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eHere Lies\u003c\/em\u003e preceded by \u003cem\u003eThe Indian Culture\u003c\/em\u003e collects two of Antonin Artaud’s foremost poetic works from the last period of his life. He wrote both works soon after his release from the psychiatric hospital of Rodez and his return to Paris, and they were published during the flurry of intensive activity and protests against the censorship of his work.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe Indian Culture\u003c\/em\u003e is the first and most ambitious work of Artaud’s last period. It deals with his travels in Mexico in 1936 where Artaud sets aside his usual preoccupations with peyote and the Tarahumara people’s sorcerers to directly anatomize his obsessions with gods, corporeality, and sexuality.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eHere Lies\u003c\/em\u003e is Artaud’s final declaration of autonomy for his own body from its birth to its imminent death, won at the cost of multiple battles against the infiltrating powers amassed to steal that birth and death away from him. Both works demonstrate Artaud’s final poetry as a unique amalgam of delicate linguistic invention and ferociously obscene invective.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eHere Lies\u003c\/em\u003e preceded by \u003cem\u003eThe Indian Culture\u003c\/em\u003e was translated by the award-winning translator Clayton Eshleman, widely seen as the preeminent translator into English of Artaud’s work, with its profound intensity and multiply nuanced language. For the first time since its first publication, this bilingual edition presents the two works in one volume, as Artaud originally intended. This edition also features a contextual afterword by Stephen Barber as well as new material, previously untranslated into English.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47486110662892,"sku":"9783035803648","price":28.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/1bd97c109a14160ef8972b3be3a9a1e2.jpg?v=1775781241"},{"product_id":"the-human-face-and-other-writings-on-his-drawings-by-antonin-artaud-9783035802481","title":"\"The Human Face\" and Other Writings on His Drawings","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eThe Human Face and Other Writings on His Drawings\u003c\/em\u003e is the first comprehensive collection in English of Antonin Artaud’s writings on his artworks.\u003c\/p\u003e\n\n\u003cp\u003eThe many major exhibitions of Antonin Artaud’s drawings and drawn notebook pages in recent years—at New York’s Museum of Modern Art, Vienna’s Museum Moderner Kunst, and Paris’s Centre Georges Pompidou—have entirely transformed our perception of his work, reorienting it toward the artworks of his final years.\u003c\/p\u003e\n\n\u003cp\u003eThis volume collects all three of Artaud’s major writings on his artworks. “The Human Face” (1947) was written as the catalog text for Artaud’s only gallery exhibition of his drawings during his lifetime, focusing on his approach to making portraits of his friends at the decrepit pavilion in the Paris suburbs where he spent the final year of his life.\u003c\/p\u003e\n\n\u003cp\u003e“Ten years that language is gone” (1947) examines the drawings Artaud made in his notebooks—his main creative medium at the end of his life—and their capacity to electrify his creativity when language failed him.\u003c\/p\u003e\n\n\u003cp\u003e“50 Drawings to assassinate magic” (1948), the residue of an abandoned book of Artaud’s drawings, approaches the act of drawing as part of the weaponry deployed by Artaud at the very end of his life to combat malevolent assaults and attempted acts of assassination.\u003c\/p\u003e\n\n\u003cp\u003eTogether, these three extraordinary texts—pitched between writing and image—project Artaud’s ferocious engagement with the act of drawing.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47487606423788,"sku":"9783035802481","price":33.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/389e221dfe6d5734e4a53ce25fb58d92.jpg?v=1775772646"},{"product_id":"radio-works-194648-by-stephen-barber-9783035802504","title":"Radio Works: 1946–48","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eFollowing his release from the Rodez asylum, Antonin Artaud decided he wanted his new work to connect with a vast public audience, and he chose to record radio broadcasts in order to carry through that aim. That determination led him to his most experimental and incendiary project, \u003ci\u003eTo Have Done with the Judgement of God\u003c\/i\u003e, 1947-48, in which he attempted to create a new language of texts, screams, and cacophonies: a language designed to be heard by millions, aimed, as Artaud said, for “road-menders.”\u003c\/p\u003e\n\n\u003cp\u003eIn the broadcast, he interrogated corporeality and introduced the idea of the “body without organs,” crucial to the later work of Deleuze and Guattari. The broadcast, commissioned by the French national radio station, was banned shortly before its planned transmission, much to Artaud’s fury.\u003c\/p\u003e\n\n\u003cp\u003eThis volume collects all of the texts for \u003ci\u003eTo Have Done with the Judgement of God\u003c\/i\u003e, together with several of the letters Artaud wrote to friends and enemies in the short period between his work’s censorship and his death. Also included is the text of an earlier broadcast from 1946, \u003ci\u003eMadness and Black Magic\u003c\/i\u003e, written as a manifesto prefiguring his subsequent broadcast.\u003c\/p\u003e\n\n\u003cp\u003eClayton Eshleman’s extraordinary translations of the broadcasts activate these works in their extreme provocation.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47603100713196,"sku":"9783035802504","price":39.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9783035802504-radio-works-1946-48.jpg?v=1778055439"}],"url":"https:\/\/bookhero.co.nz\/collections\/clayton-eshleman.oembed","provider":"Book Hero","version":"1.0","type":"link"}