{"title":"Ariella Aïsha Azoulay","description":"\u003cp\u003eAriella Aïsha Azoulay’s works invite readers to explore the intersections of history, art, and collective memory. Through thought-provoking narratives in titles such as \u003cem\u003eCivil Imagination\u003c\/em\u003e and \u003cem\u003eThe Jewelers of the Ummah\u003c\/em\u003e, she challenges conventional perspectives and offers profound reflections on cultural and political identities.\u003c\/p\u003e\n\n\u003cp\u003eRooted in a deep examination of \u003cstrong\u003eArts \u0026amp; Culture\u003c\/strong\u003e and \u003cstrong\u003eReligion \u0026amp; Spirituality\u003c\/strong\u003e, Azoulay’s writing encourages a rethinking of how communities and histories are intertwined. Her books reveal complex dialogues around collaboration, displacement, and the unseen stories within desolate spaces.\u003c\/p\u003e","products":[{"product_id":"collaboration-by-susan-meiselas-9780500298299","title":"Collaboration","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cb\u003eA revolutionary history of photography from a stellar team of writers and thinkers that challenges all existing narratives by focusing on the complex collaborations between photographer and subject.\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis groundbreaking and multifaceted history explores photography through the lens of collaboration, and in so doing, challenges the dominant narratives around photographic history and authorship. Led by five of photography's great thinkers and practitioners, it breaks apart the 'single creator' tradition by bringing to light tangible traces of collaboration—the various relationships, exchanges, and interactions that occur between all participants in the event of photography.\u003c\/p\u003e\n\n\u003cp\u003eOver 115 photography projects are surveyed in eight thematic chapters and presented non-hierarchically alongside quotes, testimonies, and concise texts by guest contributors. These networks of texts and images provide perspective on a vast array of photographic themes, from Araki's provocative portraits of women to archival files from the Spanish Civil War.\u003c\/p\u003e\n\n\u003cp\u003eWith more than 550 photographs and over 100 text contributors, \u003ci\u003eCollaboration\u003c\/i\u003e is an inspiration for teaching and an open invitation to scholars, activists, photographers, and others to practice always with and alongside others and to participate actively in this engagement and enquiry.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Thames and Hudson (Australia) Pty Ltd","offers":[{"title":"Default Title","offer_id":47288405426412,"sku":"9780500298299","price":100.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/e548afde047d46951c94db67dcdbbc9f.jpg?v=1770632593"},{"product_id":"civil-imagination-by-ariella-aisha-azoulay-9781804292594","title":"Civil Imagination","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eThe photograph is not just an image but an event, one in the longer sequence of a photographic moment. Challenging given definitions of photography and of the political, Ariella Aïsha Azoulay calls for us to use photographs of political violence, such as the colonial regime in Palestine, to envision the political relationships that made each photograph possible, and to be able to intervene in them. In this way, we can build our capacity for \u003cem\u003ecivil imagination\u003c\/em\u003e: a way of seeing and imagining ourselves as part of the image rather than only as spectators.\u003c\/p\u003e\n\n\u003cp\u003eThe new edition includes a discussion of the legal battles to reclaim the images of the enslaved Papa Renty, held by Harvard University, rejecting the regime of photographs as private property, established by institutions that claim ownership of images seized with violence.\u003c\/p\u003e\n\n\u003cp\u003e\"This trenchant, perennially contemporary book valorizes powerful intersubjective relations enabled by photography, relations that exceed the strictures of imperial power. For Azoulay, photography's entangled temporalities enable a transformation of our sense of what persists, just as a collective practice of civil imagination reconstructs our apprehension of those with whom we unevenly share a lifeworld. Azoulay contradistinguishes spectatorship from the radical work of being a companion—a distinction that itself rewrites normative conceptions of the social work of seeing.\" - Stanley Wolukau-Wanambwa, author of \u003cem\u003eDark Mirrors\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin","offers":[{"title":"Default Title","offer_id":47383599153388,"sku":"9781804292594","price":39.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/10940243482830.jpg?v=1773377816"},{"product_id":"deserts-are-not-empty-by-asaiel-al-saeed-9781941332740","title":"Deserts Are Not Empty","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eColonial and imperial powers have often portrayed arid lands as \"empty\" spaces ready to be occupied, exploited, extracted, and polluted. Despite the undeniable presence of human and non-human lives and forces in desert territories, the \"regime of emptiness\" has inhabited, and is still inhabiting, many imaginaries. \u003cem\u003eDeserts Are Not Empty\u003c\/em\u003e challenges this colonial tendency, questions its roots and ramifications, and remaps the representations, theories, histories, and stories of arid lands—which comprise approximately one-third of the Earth's land surface.\u003c\/p\u003e\n\n\u003cp\u003eThe volume brings together poems in original languages, conversations with collectives, and essays by scholars and professionals from the fields of architecture, architectural history and theory, curatorial studies, comparative literature, film studies, landscape architecture, and photography. These different approaches and diverse voices draw on a framework of decoloniality to unsettle and unlearn the desert, opening up possibilities to see, think, and imagine it otherwise.\u003c\/p\u003e\n\n\u003cp\u003eWith contributions from Saphiya Abu Al-Maati, Menna Agha, Asaiel Al Saeed, Aseel AlYaqoub, Yousef Awaad Hussein, Ariella Aïsha Azoulay, Danika Cooper, Brahim El Guabli, Timothy Hyde, Jill Jarvis, Bongani Kona, Dalal Musaed Alsayer, Observatoire des armements, Francisco E. Robles, Paulo Tavares, Alla Vronskaya, and XqSu.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47486019272940,"sku":"9781941332740","price":43.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/440f7709a2331cb3ae04ea5c9b143ee1.jpg?v=1775783825"},{"product_id":"the-jewelers-of-the-ummah-by-ariella-aisha-azoulay-9781804293119","title":"The Jewelers of the Ummah","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eAlgeria’s Arab Jews were renowned for their metal-working and jewellery-making skills, and these jewellers of the \u003ci\u003eummah\u003c\/i\u003e—the Arabic community—are, for Azoulay, the symbol of a world that can still be reclaimed and repaired.\u003c\/p\u003e\n\n\u003cp\u003eIn a series of letters written to her father, her great-grandmother, and her children—and to the thinkers and artists she claims as intellectual kin, such as Frantz Fanon and Hannah Arendt—Azoulay traces the history of Arab Jewish life in Algeria, and how it was disrupted by French colonialism. She begins by asking how her family became assimilated into the identities of “Israeli,” “Jewish,” or “French.” As she does, she finds a whole lost world open up to her – the world of her family, the Arab Jews of Algeria.\u003c\/p\u003e\n\n\u003cp\u003eShe traces how Arab Jews were severed from other Arabs, and how Arab Jews were severed from their Arabness by the Israeli vision of a Jewish diaspora, and sets out to repair those breaks and revive their world.\u003c\/p\u003e\n\n\u003cp\u003eBut it is in the return to the carefully crafted jewels, whose beautifully crafted objects act as messages to the future, that reminds us of the conviviality of a world that existed long before colonial disruption, and whose memory challenges the imperial ways of thinking we have all inherited.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin","offers":[{"title":"Default Title","offer_id":47599507144940,"sku":"9781804293119","price":67.99,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/56e476e9fb2648258525034c0226d7e7.jpg?v=1778037322"}],"url":"https:\/\/bookhero.co.nz\/collections\/ariella-aisha-azoulay.oembed","provider":"Book Hero","version":"1.0","type":"link"}